By June Sawyers, Special to Tribune Newspapers
1:00 AM EST, February 25, 2014
"The Golden Moments of Paris: A Guide to the Paris of the 1920s"
Museyon Guides, $19.95
Paris, especially the Paris between the two world wars, continues to resonate with many people around the globe. The city has had many golden ages but probably none as famous as the 1920s: the Paris of the Lost Generation. This is the Paris of Hemingway and the Fitzgeralds, of Gertrude Stein and so many others, when the City of Light was a veritable living museum of cultural activity: literature, music, art, dance. It was a time when surrealism and cubism flourished, when small presses flourished and when conversation flowed in the city's countless cafes. Cafes, in fact, were the places not only to meet but also, notes the book's author, John Baxter, "to gossip, to plot, to seduce. …" A few even wrote in them (Hemingway composed some of his short stories and a portion of "The Sun Also Rises" in his famous haunts).
Given the rich literary history of 1920s Paris, it seems only right that Baxter devotes an entire chapter to Sylvia Beach (whom he calls "the first lady of Bohemia") and her famous bookstore, Shakespeare and Company (its modern film equivalent appears in Richard Linklater's "Before Sunset" and Woody Allen's "Midnight in Paris"). Beach, the American daughter of a Presbyterian minister, not only founded and ran the English-language bookstore, she also published James Joyce's controversial novel "Ulysses" — because of its risque subject matter, publishers in the U.S. and Britain steered clear of it. Another chapter is devoted to the bob. Women who cut their hair, Baxter reminds us, were participating in a scandalous act of rebellion, for to bob one's hair "expressed contempt not only for style but the entire social order."
Other chapters are devoted to Josephine Baker's hot jazz moves, opium and absinthe, American songwriters in Paris (including George Gershwin and Cole Porter) and the little-known yet fascinating Harry Crosby, a movie-star handsome self-destructive publisher obsessed with death. Some, like Beach, found him delightful; others, not so much (Edith Wharton, for one, dismissed him as a "sort of half-crazed cad.")
To bring it all into the modern day, Baxter concludes with four walking tours.
"Goodbye to All That: Writers on Loving and Leaving New York"
Cities mean different things to different people, and so it is with New York. In this homage to Joan Didion's famous 1967 essay of the same title, nearly 30 writers pen their own versions of what it is like to love and leave — and sometimes return — to New York. Editor Sari Botton has assembled a sparkling and entertaining collection of very personal essays. Some of the writers (Cheryl Strayed, Hope Edelman, Ann Hood and Meghan Daum) are well known, but many are not.
Hood's essay is among the most evocative. She recalls her first apartment, a 300-square-foot studio on Sullivan Street in Greenwich Village. The day she moved in, she walked the streets of the Village, making stops along the way at iconic Village places (browsing at Three Lives Bookstore, sipping a cappuccino at Cafe Reggio). "I will never leave here," she thought.
But many of the writers in this collection did leave, for various reasons (and not only because of skyrocketing rent). Some also returned. And some were drawn to what Lauren Elkin calls the "idea" of New York. She suggests that it stands for "work, success, freedom, acceptance, glamour. …" Elkin grew up in the suburbs of New York but had many fond childhood memories of the city, and yet the New York she knew as an adult was somehow less magical ("Everything costs more than it should. It takes forever to get anywhere.")
Is today's New York a city only for the very wealthy, or the very poor, or the very young? The appeal of this book is that there are many faces — 28 to be exact — of New York represented here. Take your pick.
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