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'Blue Jasmine' depends on the kindness of Tennessee Williams ★★ 1/2
The acting is everything in "Blue Jasmine," though Cate Blanchett and company wouldn't have anything to act without writer-director Woody Allen's flagrant revision of "A Streetcar Named Desire." "Best-since" phrases have been flying since Allen's seriocomic exercise opened in New York and Los Angeles: best since "Vicky Cristina Barcelona," best since "Match Point," best since "Crimes and Misdemeanors" a generation ago, even. Well. Certainly it's his best since "Midnight in Paris," two movies ago, which is to say it's better than "To Rome With Love."
July 31, 2013