E-mail this story
'Wrong': A comic satire goes, well, not right ★★
Quirk, like charm, tends to work better on screen when it's not sold by weight and volume. In "Rubber," the previous exercise in precious deadpan surrealism from French filmmaker and musician Quentin Dupieux, a murderous tire with telekinetic powers served as a protagonist only a Goodyear stockholder could love.
April 2, 2013